図書書誌情報
図書書誌情報
書誌番号 | 0000030811 | ||||
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言語 | eng : 英語 | ||||
NACSIS ID | BB26432759 | ||||
和洋区分 | 洋資料 | ||||
書名 | The artist in Edo | ||||
親書誌名 ; 番号等 | Studies in the history of art ; 80. LVII | ||||
著者名 | edited by Yukio Lippit | ||||
出版事項 | Washington, D.C. : National Gallery of Art, Washington New Haven ; London : Distributed by Yale University Press, c2018 | ||||
形態 | viii, 295 p. ; 29 cm | ||||
内容著作注記 | Introduction / Yukio Lippit Clay at the two extremes : Edo-period potters as professionals and amateurs / Louise Allison Cort The painter in attendance / Yukio Lippit The Lotus scroll : Kōetsu and Sōtatsu's collaborative space / Tamamushi Satoko Classicism in the work of Ogata Kōrin / Emura Tomoko Kōrin and Noh / Kōno Motoaki The ukiyo-e artist and the city / Timon Screech The sociocultural identity of the ukiyo-e artist : observations derived from rewards and punishments / Kishi Fumikazu Making painting into print : reflections on a surimono by Toriyama Sekien and his students / Julie Nelson Davis Itō Jakuchū : an artist in the market / Satō Yasuhiro Rosetsu's Red Cliffs : medium and meaning in late Edo-period painting / Mattew P. McKelway The painter and the archive : models for the artist in nineteenth-century Japan / Chelsea Foxwell The Jakuchū memorial exhibition of 1885 / Timothy Clark | ||||
分類 | LCC : N7353.5 DC23 : 759.952 | ||||
注記 | "This volume was produced by the Center for Advanced Study in the Visual Arts and the Publishing Office, National Gallery of Art, Washington." Proceedings of the symposium "The Artist in Edo," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, and sponsored by the Anne van Biema Endowment Fund, the Arthur Vining Davis Foundations, the Japan Foundation, and the Starr Foundation. The symposium was held April 13-14, 2012, in Washington Includes bibliographical references and index Summary: During the early modern period in Japan, peace and prosperity allowed elite and popular arts and culture to flourish in Edo (Tokyo) and Kyoto. The historic first showing outside Japan of Itō Jakuchū's thirty-scroll series titled Colorful Realm of Living Beings (c. 1757-1766) in 2012 prompted a reimagining of artists and art making in this context. These essays call attention to Jakuchū's spectacular series as well as to works by a range of contemporary artists. Selected contributions address issues of professional roles, including copying and imitation, display and memorialization, and makers' identities. Some explore the new form of painting, ukiyo-e, in the context of the urban society that provided its subject matter and audiences; others discuss the spectrum of amateur and professional Edo pottery and interrelationships between painting and other media. Together, they reveal the fluidity and dynamism of artists' identities during a time of great significance in the country's history.--Provided | ||||
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著者名典拠 | Lippit, Yukio, 1970- DA15856402 editor Center for Advanced Study in the Visual Arts (U.S.) DA01705668 | ||||
件名 | [普通件名] : Art, Japanese -- Edo period, 1600-1868 -- Congresses [普通件名] : Art and society -- Japan -- History -- Congresses [普通件名] : Ukiyoe -- Congresses [地理的名称] : Japan -- Social life and customs -- 1600-1868 -- Congresses [ジャンル指示用標目] : Conference papers and proceedings. lcgft | ||||
リレーション | [書誌階層（上位：親）] : 1件( Studies in the history of art ) |
